top of page
DSCN1370_edited.jpg

ALASDAIR'S LIFE

1930s

17.12.36

Alasdair Grant Taylor Born

Born in Edderton, Ross-Shire to Hugh and Jane Taylor.

12.03.39

Annelise Marquard Born

Born Copenhagen, Denmark, to Preben and Grethe Marquard.

1940s

1946

Taylor family moves to Coalburn in Lanarkshire

Alasdair attends schools in Lesmahagow and Larkhall.

1950s

1955

1956 - 1957

1957 - 1958

Alasdair started at Glasgow School of Art

Annelise Taylor

Annelise Taylor

After-school care assistant, Denmark.

Assistant housemother, Trefoil School, Edinburgh.

1957-1958

1958

Annelise Taylor

Alasdair and Annelise met

1958 - 1959

Annelise Taylor

Au pair, London.

Alasdair travels to London to study Rembrandt’s Madonna and Child artworks. Goes to Academy Cinema on Oxford Street and meets Annelise. They fall in love and travel together to the west coast of Scotland. Alasdair arrives back at GSA and completes a painting, The Expulsion of Eden. It contains a 'glowing little figure' in bottom right hand corner; a reference to Annelise.

Attends Danish Folk High School, Silkeborg - full-time residential Social Sciences and Arts.

1958

Alasdair wins Governors Prize at GSA

1958

Royal Glasgow Institute of Fine Arts Gallery in Blythswood Square

1959

Alasdair graduates in June with a Diploma in Drawing and Painting

1959

Alasdair goes to live in Denmark with Annelise and her family

1959 - 1960

Denmark

Late 1950s

Alasdair creates thickly painted self portrait

The Expulsion of Eden wins the Governors' Prize at GSA.

Exhibition of paintings by Alasdair Taylor, Fred Pollock and John Taylor (fellow drawing and painting students at GSA).

Alasdair Gray graduates two years before Alasdair Taylor. Both part of an artistic set, The Glasgow Five.

Alasdair wins £50 prize on leaving GSA. Sells drum kit and flies to Denmark.

Alasdair is heavily influenced by Asger Jorn, a leading member of COBRA Group, an art movement heavily influenced by the spontaneity of children's art. Annelise knows Asger Jorn from an art course. Today. There is now an Asger Jorn Art Gallery in Silkeborg, Denmark, next to where Annelise's parents lived for many years.

Alasdair gains reputation for his portraits. He applies paint thickly until the mid 1960s, then paint starts to be applied more thinly (due to lack of money)

1960s

13.04.60

1960 - 1965

1960

October 1960

27.12.60

1961

1961 - 1966

1962

1962

May 1962

March 1963

23.05.63

July 1963

November

1963

Annelise and Alasdair marry and return to Glasgow

Annelise Taylor

Alasdair teaches art in a Dumbarton secondary school for three days a week. Lasts a month

Alasdair works as a dustbin man in Glasgow for six months

Daughter Anna Bojsen Taylor born

Danish Institute, Edinburgh

Alasdair and Annelise live and work in Glasgow University’s Chaplaincy Centre

University of Glasgow Chaplaincy Centre

Cosmo Cinema, Glasgow

McLellan Galleries, Glasgow

Scottish Field magazine

Daughter Jean Taylor born

Lillie Art Gallery, Milngavie

Citizens Theatre

1964

April 1964

University of Glasgow Chaplaincy Centre

Gilmore Hall, University of Glasgow

May 1964

Scottish National Gallery of Modern Art, Edinburgh

September

1965

Glasgow School of Art

1965 - 1967

Annelise Taylor

1965

Taylors move to Northbank Cottage, Portencross, North Ayrshire

1966

1966 - 1974

Close Theatre Club, Glasgow

Annelise Taylor

1967 and 1968

1967

1968

1969

1969

University of Glasgow extra-mural education

Royal Glasgow Institute of the Fine Arts, Glasgow

West Kilbride Town Hall

Craigie College, Ayr

Northbank Cottage, Portencross

Takes up a position as residential warden in Students Centre at the University of Glasgow.

Archive newspaper cutting about an artist working as a dustbin man. Alasdair uses materials found ‘on the job’ in his art.

Glasgow.

"Two Glasgow Artists".

Annelise serves food and drinks to students, giving Alasdair time and space to paint figures and portraits.

Alasdair Exhibition.

Alasdair Exhibition.

Glasgow Civic Art Association Exhibition.

Article by Glasgow-based painter, gallerist and art critic, Pierre Lavalle.

Paisley.

Summer Exhibition by The Glasgow Group

Alasdair Gray & Alasdair Taylor exhibition. The black and white poster for this show is designed by Alasdair Gray, and is a depiction of Alasdair Taylor’s face.

Alasdair Exhibition.

Plus 30 exhibition of contemporary Scottish art. Newspaper carries a story with headline, Rude Nude, about a banned painting.

Alasdair Taylor exhibition.

"Scottish Artists under 30" exhibition

Attends part-time pottery course at the Glasgow School of Art.

Having visited writer Tom Buchan and his wife Alice in this remote spot on the North Ayrshire coast, the Taylors move to a 300-year-old cottage at the base of the Three Sisters cliffs with views over the Firth of Clyde to Wee Cumbrae and the island of Arran. For a peppercorn rent, Alasdair and Annelise keep an eye on landlord’s potato fields to prevent theft. Northbank had no electricity, no mains water, one toilet and one sink. Their closest neighbour was Hunterston nuclear power plant. The cottage was the scene of a notorious unsolved murder in the early twentieth century. In the late nineteenth century, it was the studio of Scottish landscape painter, George Houston.

Alasdair Exhibition.

Part-time youth worker, arts and crafts teacher, starts playgroup, play leader, organises first ever play scheme for the then Ayr County Council.

In Dumfries and Moffat, Alasdair Taylor hosts A Question of Values of Art.

Alasdair Exhibition.

Alasdair Exhibition.

Alasdair exhibits a group of paintings.

Four Years in the Country, exhibition of paintings by Alasdair Taylor.

1970s

1970s

Spray painting period

Alasdair collects boulders, driftwood and weathered roots from trees to create sculptures. Starts to use discarded canvas from old theatre backdrops for oil and spray paintings. Annelise works in an Ardrossan Youth Centre. Money tight. In The Worshippers series (1977 to 1978), Alasdair’s work gains new sense of lightness and freshness.

1970

St Bride's Parish Church, West Kilbride

Discussion between Alasdair Taylor and scientist, Peter Brown, chaired by Reverend WG Penny.

1970

BBC Radio 4 Scotland

May 1971

May 1971

Gracefield Arts Centre, Dumfries

Pool Theatre, Edinburgh

Summer 1971

Northbank Cottage, Portencross

Summer 1972

1973

1973

The Blythswood Gallery, Glasgow

St Brides Hall, West Kilbride

Scottish International Article by Alasdair Gray

1974

Scope TV arts documentary for BBC Scotland

Approx 1975

Alasdair travels to India for six weeks, basing himself at the Bhagwan Shree Rajneesh (later called Osho) Ashram, a meditation resort in the city of Pune.

1974 - 1976

Annelise Taylor studies to be a Community Worker at Jordanhill College of Education in Glasgow. Receives diploma in Youth & Community Work

Alasdair presents Time to Talk - Sleeping Warrior about Arran, as seen from Northbanks Cottage. Alasdair visits the island and its most famous peak, Goat Fell.

Alasdair Taylor exhibition.

Exhibition of painted collages, Yes. She is Here

Alasdair Taylor exhibition at home, extensively covered by newspapers

Autumn Exhibition 15 June - 1 July - John Connolly, Alasdair Gray & Alasdair Taylor.

Pictures & Photographs.

Alasdair Taylor by Alasdair Gray. Profile on Alasdair in influential cultural periodical.

Alasdair and his art feature art critic and broadcaster W. Gordon Smith’s long-running arts series, Scope.

Alasdair changes name to Swami Anand Deepen, wears orange clothes and wooden beaded mala necklace. Refers to Northbank Cottage as Francis House and on his return from India, carries out dynamic meditation and follows the doctrine of Rajneesh movement, which advocated an eclectic doctrine of Eastern mysticism, individual devotion and sexual freedom.

Annelise buys an orange Citroën Dyane to drive up and down to Glasgow, much to her daughters’ horror as ‘none of our friends had such a bright and ugly car!’.

1976 - 1974

Annelise Taylor

Trainee Youth and Community Worker, Ardrossan area.

September 1975

Wellington Square Community Centre

Alasdair Taylor exhibition, opened by Tom Buchan.

1976 - 1979

Annelise Taylor

Community Education Worker, Ardrossan Area.

1976

Woman Weekly article written by Joan Biggar published

They are perfectly happy living at the back of beyond. Feature about the family in best-welling women’s weekly magazine.

1976

1979 - 1991

Present Gallery, Lanark

Annelise Taylor

Major Alasdair Taylor exhibition.

Senior Community Education Worker, Garnock Area.

1980s

1980 -     1986

1984

1984

Annelise Taylor Open University B.A. Social Sciences

Northbank Cottage, Portencross

Portrait of a Painter - Article in Scottish International

Annelise studies for Open University B.A. in Social Sciences.

Alasdair Taylor Exhibition.

Portrait of a Painter, another feature on Alasdair written by Alasdair Gray in the influential periodical.

1985

Auchenames House, Portencross.

Alasdair Taylor, Alasdair Gray, Bethsy Gray, George Wyllie, John Connolly, Kenneth Smolar, Gordon Davidson, Matt Ewart, Hugh Duxbury and Jim Patterson. Tom Buchan and Alasdair Gray do readings.

1985

Annelise & Alasdair's 25th Wedding Anniversary

Celebration at Northbank Cottage, Portencross, attended by Alasdair Gray, Jim Kelman and his wife, photographers Mary and David Hope. Alasdair’s sister Margo and husband Donald, daughters Jean and Anna and Anna's husband Gerry McCabe. Not forgetting Bruno the boxer dog.

1986

McLellan Gallery, Glasgow

Five Artists Retrospective, financed by Alasdair Gray and featuring work by; Alasdair Gray, Alasdair Taylor, Carol Gibbons, Alan Fletcher, John Connolly. Writer Jim Kelman was running an art handling business at the time of this exhibition and picked up work from Northbank Cottage. He and Alasdair hit it off instantly. Both grew up in Lanarkshire and attended the same school in Lesmahagow and Larkhall.

1986

Bank of Scotland, Largs

Alasdair Taylor Exhibition.

January 198

Talbot Rice Centre and 369 Gallery, Edinburgh

November

1987

Galleriet, Silkeborg, Denmark

October

1989

Calderglen Gallery, Calderglen Country Park, East Kilbride

Alasdair Gray, Alasdair Taylor, Carole Gibbons, Alan Fletcher and John Connolly Retrospective.

Alasdair Taylor exhibition, featuring Abstract Expressionist work influenced by European Situationist movement, COBRA, and painterly expressionism of artists such as John Houston and Asger Jorn.

Alasdair Taylor and Douglas McKechnie exhibition.

1990s

1991 - 1994

1979 - 1991

Annelise Taylor

Annelise Taylor

Acting Area Community Education Officer, Garnock area.

Senior Community Education Worker, Garnock area.

14.01.94

Annelise Taylor dies weeks after being diagnosed with cancer

Aged 54.

1995

Nancy Smillie Gallery, Glasgow

Alasdair Gray and Alasdair Taylor joint exhibition

1993

Northbank Cottage, Portencross renovated

The family home finally has electricity, central heating and mains water. Much to Annelise's delight.

2000s

November 2005

Alasdair has a stroke and can’t return to Northbank Cottage

2006

Northbank Cottage emptied. All artwork catalogued and stored

01.01.07

June 2007

November 2008

Alasdair Taylor dies

Harbour Arts Centre, Irvine

Glasgow School of Art

Hospital in Kilmarnock, rehabilitation in Irvine, then a temporary rented flat in West Kilbride. Moves to a flat in Lochwinnoch. Has another stroke and is moved to care home in Largs.

Cataloguing and digitisation of Alasdair’s artwork undertaken by Street Level Photoworks, Glasgow, with funding from the Scottish Arts Council, instigated by Alasdair Gray, Jim Kelman, Malcolm Dickson and Euan Sutherland. Some 20 years after first meeting Alasdair, Jim Kelman drives another van to Portencross; this time rented to allow the process of cataloguing and shifting a lifetime’s worth of work from Northbank Cottage, outhouse and studio.

Aged 70.

Alasdair Taylor exhibition.

Alasdair Gray and Alasdair Taylor joint exhibition, The Two Alasdairs.

July

2023

Alasdair Taylor Retrospective Opening

MacLaurin Art Gallery, Ayr

Cataloguing and digitisation of Alasdair’s artwork undertaken by Street Level Photoworks, Glasgow, with funding from the Scottish Arts Council, instigated by Alasdair Gray, Jim Kelman, Malcolm Dickson and Euan Sutherland. Some 20 years after first meeting Alasdair, Jim Kelman drives another van to Portencross; this time rented to allow the process of cataloguing and shifting a lifetime’s worth of work from Northbank Cottage, outhouse and studio.

bottom of page